This is one of my mid-size guitars, just after the body's finish is fully cured. You can see I've still got some newspaper covering the inside of the sound hole. That's done to prevent the sprayed finish from getting inside the body. I finish my necks separately from the body for a number a reasons, but you can see in this photo that the neck is not yet carved down. I arranged the photo this way to show you part of the process, and to show off that inlay! It's a dragonfly sitting on a flower. There's several different materials in it, as well as the fret markers and sound hole rosette. I've always loved a good inlay - the intricacy and artistry involved is a great creative expression.
Tuesday, March 3, 2009
Mid Size Guitar, Post-Finish
This is one of my mid-size guitars, just after the body's finish is fully cured. You can see I've still got some newspaper covering the inside of the sound hole. That's done to prevent the sprayed finish from getting inside the body. I finish my necks separately from the body for a number a reasons, but you can see in this photo that the neck is not yet carved down. I arranged the photo this way to show you part of the process, and to show off that inlay! It's a dragonfly sitting on a flower. There's several different materials in it, as well as the fret markers and sound hole rosette. I've always loved a good inlay - the intricacy and artistry involved is a great creative expression.
From the Shop: Spray Booth
Ever wondered how guitars get such a great finish on them? Well, here's part of the answer! This picture was taken of my "spray booth", while two recently sprayed instruments were drying. I've had lots of experience creating great finishes on fine instruments, and take pride in my work.There's a fine balance between protection/durability and resonance when applying a finish. If you put too much on, it will make the guitar's wood not ring as much. But if you don't put enough on, you can end up with places that wear out over time. Most cheap guitar makers automate everything, and you end up with either a guitar that's got bare wood showing after a year of playing it, or a guitar that sounds like a ukelele because it's been gunked up with too much finish! That's one of the reasons I do all my finishes by hand.
Monday, December 8, 2008
Shop Tour Video
Hey gang! Here's a little 3 minute video that we shot of my shop. It's kind of messy, but that's just because I'm busy! Hope you like the old instruments and photos. YouTube kind of blurs the images, but that's John Fogerty, John Hiatt, Lyle Lovett, Roy Clark and others with me in the pictures.
Labels:
acoustic guitar,
John Fogerty,
John Hiatt,
Lyle Lovett,
Roy Clark,
shop tour,
video
Friday, December 5, 2008
New Headcap Designs
Here's some of my newest headcap (headstock cover) designs. Some of you might not know that I also run a business called Fine Lines Inlay where I create inlays, rosettes and headcaps like these for other luthiers. I love the artistic expression that I can put into every detail of one of these beauties. What do you guys think? Have a favorite one of these?
Labels:
abalone,
ebony,
fine lines inlay,
headcap,
headstock,
inlay,
ivory,
mother of pearl,
tonewood
John Hiatt Playing One of My Guitars
This was a truly great moment for me (that's me on the right), watching John Hiatt play one of my guitars, and enjoying it! He liked it so much that he's asked me to build him one, and he's using this one now for his live shows!Lyle commented on how my guitar sounded like it was an old vintage guitar that had been played for decades, even though it was brand new. I told him that I put special care and effort into how I make my guitars' bracing so that it sounds "played in" from the get-go. I'd say more about it here, but I suppose it's one of my trade secrets! In any case, Lyle wants me to build him one now too.
Labels:
acoustic guitar,
John Hiatt,
Lyle Lovett,
sunburst
Monday, October 27, 2008
John Hiatt with his Rigaud
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